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Speak for Success!

"Be a voice not an echo." - Albert Einstein

How to Turn Your Passion Into a Powerful Speech

How to turn your passion into a powerful speech.

You may be totally committed to your topic and message. But do you know how to get all of that across to audiences? Here's how to turn your passion into a powerful speech.

There's a saying that's either the invention of Gordon B. Hinckley or is an old Irish proverb:

"You'll never plow a field by turning it over in your mind."

I think of that maxim sometimes when I'm working with a speakeras I did recentlywhose passion resides wholly in the text of their speech, but who gives no hint of it in performance. But if an audience doesn't see and hear your commitment to your message, how are you going to get them to believe in it as strongly as you do?

Can you achieve the holy grail of public speaking—great material combined with a dynamic performance? Discover how in my free Insights article, "Great Speaking? — It's About Performance Over Content!"

Your speech's content, like data, can only accomplish so much. Basically, it conveys information wonderfully. The rest of itfrom the immediacy of your message, to its benefit for listeners, to the meaning of the information you're conveyingis solidly your territory. So how can you turn the passion you feel into a powerful speech so everyone else "gets it"?

Learning how to speak for leadership means knowing how to give a passionate speech.

Just Talk to Us . . . and Stop Trying to Be Perfect

There's a fault concerning public speaking known as "perfectionizing." It means attempting to create a beautifully polished presentation that's perfect in every respect.

This is due partly to spending time in the literary realm crafting what is, in effect, a lovely piece of literature. But the public speaking realm is more boxing ring than literary salon. And your job is to step inside the ropes and mix it up.   

Writing a perfect speech is useless for three reasons: 1) You probably can't do it unless you're an extraordinary speech writer; 2) You'll be likely to get enmeshed in the rhythms of writing, which are different from those of speaking, and 3) It keeps your attention on your script rather than where it needs to be: on your listeners and their response to what you're saying. 

Audiences don't care about beautifully crafted pieces of rhetoric. They do care about speakers who can connect with them and who share their interests and values. The truth is, they'd rather be punched in the gut than have their heads gently stroked, because that hits them where they live. So they want you to be more Ali than Hemingway. 

Photo of Basil Rathbone as Sherlock Holmes and Nigel Bruce as Dr. Watson.

Learn the Actor's Skills of Externalizing What You Feel

Once you commit to speaking with impact rather than oratory, it's time to learn how to get it all across the footlights.

Because here's the thing my clients hear me say often: It's never a question of having passion, and even a fierce desire to share it with listeners. It always comes down to showing it in performance. Audiences aren't mind readers, and most of them don't know the Vulcan mind-meld. If you don't show it, they won't know it.

You have to take a page from the actor's art, for actors spend their entire careers learning how to effectively externalize what they are feeling. So, a quick study guide to learning how to command a stage:

  • Turn your energy around: The self-conscious or perfectionizing speaker thinks in terms of his or her own performance. But the audience must be the center of your universe as it is for the actor—it's the sun around which you revolve. The simple act of turning your energy outward will start the process of having more of a relationship with your listeners than with your manuscript.
  • Think in terms of physical expression: Most of us are guilty of Talking Head Syndrome, so in terms of effective public speaking there's really too much furniture upstairs. Since audience members don't have a crystal ball, they need you to physically express what you're saying. That's why you have a body as a public speaker! Your tools: the body language of posture, stance, and gestures; facial expressions (and smiles); eye contact; and vocal dynamics. When you express what you're saying physically, it takes your talk onto an entirely different plane. That's where memorability often hangs out.
  • Pay attention to pace and the shape of your speech: Nothing is worse than an otherwise good talk that unfurls in an unvarying pace on a featureless plateau. Leadership in public speaking means delivering a speech exactly the way you intend to: at your pace, comfortable for you and sufficient for your audience to relax and absorb what you say. Consider as well the shape of your speech: Which segments are the most powerful, and which moments are inherently dramatic? The parts of your speech are not equal; you should know how to play up the major sections, and downplay the others.
  • Use your performance space: The space you speak in—whether it's a convention stage or a few feet at the end of a conference table—is yours to command. This too is an aspect of leadership in public speaking. We expect you to move: to use the space itself to emphasize things you're saying. Don't prowl or wander; move with a purpose tied to what you're trying to achieve from moment to moment. Even a lectern shouldn't stop you from conveying your passion in a powerful way. Use the podium to refer to your notes or manuscript if you must. But take the opportunities to come out from behind it. You might be amazed at how it makes your speech come to life. Us, too.

You should follow me on Twitter here.

Gary Genard is an actor, author, and expert in theater-based public speaking training. His company, Boston-based The Genard Method uses performance techniques to help business executives, leadership teams, and professionals embody presence and confidence to achieve true influence. In 2018 for the fifth consecutive year, Gary has been ranked by Global Gurus as one of the World's Top 30 Communication Professionals. He is the author of the books How to Give a Speech and Fearless Speaking.

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